The Eubie Blake National Jazz Institute and Cultural Center brings artists and audiences from diverse backgrounds together. He integrated this education, music he heard on the street and the “rhythms and syncopations in his mother’s own Baptist church,” into his style. And shaking hands with Jimmy Carter, and we all got a souvenir picture of shaking hands with the president at that time. Sometimes “destiny” comes into play at “the right time.”  It was in 1915 when Blake met Sissle, his partner-to-be. Shop for Eubie Blake related autographs, signed photographs, historical documents and manuscripts from the world's largest collection. And he did, even though he smoked and ate sweets! Neither John nor Emma were musically inclined, except for Emma’s love of gospel music; she crooned hymns to her son in his crib. Ducking behind the piano saved his life. Tags 1978-79, Eubie Blake, Gary Busey, Gregory Hines, saturday night live, Season 4, snl 8 Replies to “March 10, 1979 – Gary Busey / Eubie Blake and Gregory Hines (S4 E14)” Jurb says: He also accompanied for singers Madison Reed, Mary Stafford (a great star of the day), Lottie Dempsey, Big Lizzie and Alabama Blossom. Eubie Blake, the American jazzman who died at 96, famously observed: "If I'd known I was going to live this long, I'd have taken better care of myself." “They All Played Ragtime” tells of a gala performance of “Shuffle Along” in Baltimore in which blacks by special permission were allowed to sit in the boxes. Life casts of musician Eubie Blake's hands made of polyester resin. I can hear her now. He was born to former slaves, Emma and John Sumner Blake, on February 7, 1883 in Baltimore, Maryland. His trick was to accent on-the-beat, off-the-beat, and in-between in an “angular but flowing melodic sense, full of surprising leaps and turns.”. Or perhaps she had been waiting up, as some mothers do, to see that her son was okay. At twelve, Eubie “Hubert” Blake was busy with his passion. It was the 13th of March, 1915, and we are still partnerds today. Eubie Blake: From Mouse To Lion. If it was you that was gone, it would still be here, too. Eubie Blake was one of the most important figures in early-20th-century African-American music, and one whose longevity made him a storehouse of the history of ragtime and early jazz music and culture. Eubie Blake leaped halfway from his seat and yelled “Oh, professor, professor, you hit me, you hit me!” He placed both hands over his heart and continued with great emotion: “You make me think of my dear mother. Eubie’s friend said “Ahh! NOTE: Cataloging is an ongoing process and we may update this record as we conduct additional research and review. ... Holding hands at midnight 'Neath a starry sky… Nice work if you can get it, And you can get it if you try. Just before Eubie died, the City of New York held two grand events celebrating his centennial. But her feelings never stopped her from being a disciplinarian, rigid in her religious beliefs. The casts end at the wrists and the proper left hand is pointed upwards, while the proper right hand is positioned at an angle. By 1902, Eubie had gotten himself a new job buck dancing in “Old Kentucky,” a colored minstrel show in New York City. She always sang like that. Sourced quotations by the American Lyricist Eubie Blake (1887 — 1983). Eubie kept his career a secret from his parents until one day when a neighbor lady told Mrs. Blake she had heard coming out of Aggie Sheldon’s piano playing that could only be Eubie’s – because of the “wobble-wobble” in the left hand – a sort of reverse boogie bass which came to be Eubie’s trademark. How was Eubie Blake different from other pianist/ composers? His father found him weaving in the street, brought him home to Mrs. Blake who “could smell whiskey on your breath if you were in Los Angeles and she was in Baltimore,” as Eubie Blake was later to say. Eubie Blake leaped halfway from his seat and yelled “Oh, professor, professor, you hit me, you hit me!” He placed both hands over his heart and continued with great emotion: “You make me think… Eubie Blake is in total command of his mind and memory and of his still-facile and majestic hands. When the elderly Mrs. Blake was congratulated at a backstage party on Eubie’s great achievements, she replied, “Some may see it that way but he might have done it all for Jesus instead.”. 1972, Berlin, Eubie Blake (p,v): 3:33 Charleston Rag / 4:35 I am Wild About Harry / 5:50 Memories Of You / Eubie himself had made the claim that he would cut up – outlast – his musician friends, as in his piano-playing. Eubie “The Indestructible,” as some called him – a man whose fingers could span twelve keys, ragtime pianist/composer and vaudevillian. University of Michigan - African-American Music Collection As he matured, his mother would wail, “the devil got in his fingers!”  And: “Take that ragtime out of my house!”. They collaborated on more musical comedy. It was really quite remarkable. Despite his mother’s negativity and sometimes ferocity, Eubie Blake grew into the shoes he had planned to wear from early on. But you got to get up and go out and live your life.”, This Eubie did. B/w, 7¾x9¾ overall, 7x8¾ image, one surface. Creative Commons. Signed 8x10 black and white publicity photograph of the musician and composer sitting down with his hands crossed in a dark suit-and-tie, glasses and cloth cap. For Negroes it was a test of their ability to “…survive hardship and deprivation in a hostile environment,” according to Lawrence T. Carter, a Detroit journalist who wrote a book called “Eubie Blake: Keys of Memory.”  For Eubie’s parents, John and Emma, it was a time of making do with what they had and scraping to make a decent living for their family. He has touched the lives of many through his music, a happy-go-lucky expression of his creativity – he loved ragtime and he always kept his own advice; never change the act if you know it’s a good one. The photographs in the book are close crops of fingers on fretboards and keys as well as wider shots whose focus, nonetheless, is hands. Eubie Blake - Autographed Inscribed Photograph - Item 3999. Recorded in 1968 and 1969, this record is by far the best way to get to know, love, and appreciate Eubie Blake, master of ragtime and gorgeous melodies.The taproot of jazz runs directly from Blake's generation up through all of those Eastern Seaboard ticklers, most significantly James P. Johnson and the school of what critics and historians have labeled Harlem stride piano. Eubie also became a very excellent buck dancer and this talent Eubie used to laugh, much later, talking of their beginning: “Some agent had a smart idea for an act for us. There is much in the way of legal demographic evidence to show that Blake was actually born in 1887, not 1883 as was commonly written throughout the second half of the 20th century. Signed 8x10 black and white publicity photograph of the musician and composer sitting down with his hands crossed in a dark suit-and-tie, glasses and cloth cap. The store manager, impressed with Eubie’s ability, convinced Mrs. Black to purchase a $75 piano for $.25 a week.

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